Jazzin' the Blues Away
SKU: 15400223573

Jazzin' the Blues Away

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Description

Jazzin' the Blues AwayThe Peacherine Ragtime Society Orchestra's fourth CD for Rivermont spotlights rare and delightful orchestrations from the Johnny Maddox collection. Maddox was perhaps the most popular ragtime pianist of the 1950s and '60s, and over the course of 80+ years, he amassed an extensive collection of ragtime era sheet music, including some 1,500 orchestrations salvaged from theater music libraries, the estates of former bandleaders, antique stores, and

The Peacherine Ragtime Society Orchestra's fourth CD for Rivermont spotlights rare and delightful orchestrations from the Johnny Maddox collection. Maddox was perhaps the most popular ragtime pianist of the 1950s and '60s, and over the course of 80+ years, he amassed an extensive collection of ragtime era sheet music, including some 1,500 orchestrations salvaged from theater music libraries, the estates of former bandleaders, antique stores, and elsewhere. Andrew Greene and the PRSO have selected nearly two dozen of these musical gems, ranging from the fiery, bombastic "Listen to That Dixie Band" and "Mr. Trombonology" to the charmingly elegant "Bouclaire Waltzes." Many of these 100-year-old arrangements are recorded here for the first time -- in crisp, high definition 24-bit sound that makes for a sumptuous, thrilling listening experience when played on good equipment. The CD includes a lavish 32-page color illustrated booklet with extensive commentary by PRSO director Andrew Greene and guest pianist Adam Swanson. Features vocals by William Edwards, an audience favorite wherever the orchestra plays. Two bonus tracks feature previously unreleased piano duets by Adam Swanson and Johnny Maddox himself. 76 minutes.

Note: A digital download version is also available for this title in high-quality MP3 format. The download version includes a PDF digital booklet containing all of the text and images found in the physical CD booklet. Buyers selecting the digital download will receive a download link by e-mail upon completion of checkout.

Rivermont catalogue number: BSW-2251 (Audio CD)


Track list:

1.
Listen to That Dixie Band: One Step March
2.
Car-Barlick-Acid
3.
Swanee Ripples: A Rag
4.
Buzzin' the Bee
5.
Everybody Rag With Me
6.
Frog Legs Rag
7.
Mr. Trombonology: Characteristic Trombone Smear
8.
Buenos Ayres: Argentine Tango
9.
Bouclaire Waltzes
10.
Crazy Bone Rag
11.
The Aba Daba Honeymoon
12.
The St. Louis Blues
13.
Pine Apple Rag
14.
Meadowlark Rag
15.
Jazzin' the Blues Away
16.
The Stars and Stripes Forever
17.
Take Your Girlie to the Movies
18.
You and I
19.
Swanee
20.
Aufderheide's Melodic Ideas: Medley Overture No. 1
21.
In My Harem
22.
Corsica / At the Ball, That's All

Credits:

Peacherine Ragtime Society Orchestra: Andrew Greene (conductor), Paul Bagley (1st violin), Livia Amoruso (2nd violin), Colin Webb (viola), Jessica Albrecht ('cello), Shawn Alger (bass), Sarah McIver (flute and piccolo), Laura Armstrong and Suzanne Gekker (clarinet), Neil Brown (1st cornet), Benjamin Lostocco (2nd cornet), Corey Sansolo (trombone), Joey Antico (percussion), Adam Swanson (piano), William Edwards (vocalist)

Recorded by Arts Laureate / Recording engineers: Stephen O'Connor, Ben Schwartz, Robert Armstrong, and Neil Brown / Mixing and mastering: Christian Amonson / Editing: Neil Brown / Session producers: Bryan S. Wright, Stephen O'Connor, and Ben Schwartz / Liner notes: Andrew Greene, Adam Swanson, and Bryan S. Wright / Cover art: Joe Busam

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SKU: 15400223573

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KK
Bozeman, US
★★★★★ 5
No taste
Size: 8 Ounce (Pack of 1)
Really good. I put it in my black coffee. There’s no taste or complaints. My second purchase.
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Reviewed in the United States on March 31, 2026
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Ryan Mease
Charlottesville, US
★★★★★ 5
Excellent Tool for Approaching Homer via English
Format: Hardcover
I love the Loeb editions of Homer. I've already ready the Odyssey, now moving on to the Iliad. What I've especially started to enjoy with this volume of the Iliad is the editors decision to "call out" which lines were rejected by which ancient commentators (Aristarchus, etc.). This adds some fun to the reading because you get to review the line in Greek and try to surmise why they rejected it, or how the passage would work without the line. The translation is reasonably modern but still "lordly" and has the tone of a war epic. It was enjoyable to read aloud in both English and Greek.
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Reviewed in the United States on September 25, 2025
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Bryan Kerr
Lake Worth, US
★★★★★ 5
2,800 years worth of people have heard/read Homer
Format: Hardcover
I just finished reading volume 1 of Homer's Iliad published by The LOEB Classical Library in conjunction with Harvard University Press. The translation is by A.T. Murray with revisions made by William F. Wyatt. The LOEB Classical Library is a academically trusted collection of Greek and Latin publications. The translations are normally more literal than those you might find at your local Barnes and Noble, therefore they read more like an archaic form of English. Homer's Iliad can be found on nearly every great works of literature list. Harold Bloom considered Homer to be in the same family with Cervantes, Dante, and Shakespeare. The Iliad has been read for thousands of years, and every reputable honors program includes his works in their required readings lists. His writings influenced Tolkien and George R.R. Martin. His descriptions of war are grotesque and inspiring. The pantheon of deities he created in his stories set the stage for the Greek mythology that followed him. This is the understanding I had when approaching the book. The bar was set rather high and unlike most expectations these ones were surpassed. As I finished reading volume 1, I asked myself, "how could a writer from the 8th century B.C. have achieved so much, when so many from our era have achieved so little?" Homer had no paper trail of literary criticism to follow. He had no classes in writing style and technique, and yet the Iliad is of such a high caliber that we still read him today. Wayne C. Booth brought to our attention Homer's "leave nothing up to the reader" style of reading. If Homer wants you to favor one group over another, he is going to come out and say it. He can tell you every thought and intent of each character. Homer doesn't care that it would be impossible for anyone to know the thoughts of Agamemnon or Hector. He knows what they thought and that's enough. Many writers today shy away from such literary techniques in favor of modes that demand "reader response." This is not necessarily bad, it's just a different approach but many of their works, if not all, will not demand the attention of 2,800 years worth of readers.
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Reviewed in the United States on August 4, 2012
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Tunc
Bozeman, US
★★★★★ 5
Excellent for learning Homeric Greek
Format: Hardcover
The book is bilingual Homeric Greek-English. It is a Word to word translation of the wonderful ancient text... Reading Iliad is a must for all modern man. With this book, with the help of the opposite page English translation, you can read it in its original too. Homeric Greek is not biblical Greek. It's even older and more beautiful.. So, It may not be the best book for biblical greek readers or learners. But if you are serious about learning ancient Greek and want to do it by reading it word by word with the help of English translation, this book is the right one to start with. Homeric Greek is a dead language, therefore people don't know how to pronounce it. There are many theories about it but there is an interesting guy on YouTube with the nickname "kleber kosta", and he is the best reader of Iliad when it comes to pronouncing it.
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Reviewed in the United States on April 28, 2012
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Patricia Spicer
New York, US
★★★★★ 5
Homer's Iliad, Books 1-12
Format: Hardcover
This is a wonderful adjunct to any text for anyone interested in Homeric Greek. It reads well in and of itself and seems to be highly accurate. Of course I recommend it.
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Reviewed in the United States on January 24, 2014

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