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- USA
- CAN
Ships within 48 hours · Estimated delivery Jul 7 - Jul 12
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Description
Blackmagic ATEM Monitoring Rack Panel 20This rackmount panel is designed to complement ATEM Constellation IP live production switchers by combining monitoring conversion and essential frontpanel control in a single, compact unit. It addresses the needs of broadcast environments where IPnative switchers rely on fronttoback cooling and therefore lack traditional frontpanel controls. By adding this device to the rack, operators regain immediate access to monitoring and basic switcher operation
This rack‑mount panel is designed to complement ATEM Constellation IP live production switchers by combining monitoring conversion and essential front‑panel control in a single, compact unit. It addresses the needs of broadcast environments where IP‑native switchers rely on front‑to‑back cooling and therefore lack traditional front‑panel controls. By adding this device to the rack, operators regain immediate access to monitoring and basic switcher operation without compromising airflow or system reliability.
The unit integrates a professional monitoring converter that transforms SMPTE 2110 IP video into both 12G‑SDI and HDMI outputs. This allows direct connection to local monitors for confidence viewing, engineering setup or troubleshooting. Dual 10G Ethernet connections provide full SMPTE 2022‑7 redundancy, ensuring seamless protection switching and uninterrupted monitoring even if one network path fails. A dedicated NMOS Ethernet port enables clean integration into IP routing environments and simplifies source management within larger SMPTE 2110 systems.
In addition to monitoring, the front panel replicates the control layout found on traditional ATEM Constellation SDI models. Premium broadcast‑grade buttons allow direct source selection and basic switcher interaction, making the panel particularly useful during setup, rehearsals or technical line‑up. A built‑in LCD provides real time visual feedback, including video preview and audio level meters, giving operators immediate confirmation of signal presence and quality.
For professional communication workflows, a five‑pin broadcast headset connector is included on the front panel. This enables direct talkback integration, supporting coordination between operators, directors and camera crews without the need for external interfaces. Reliability is further enhanced by dual redundant AC power supplies, making the unit suitable for mission‑critical broadcast and live production installations.
Designed specifically for rack environments, this solution restores hands‑on control and local monitoring to IP‑centric ATEM systems while maintaining a clean, modular infrastructure. It is an ideal companion for large studios, OB vehicles and technical racks where quick access, redundancy and clear monitoring are essential.
Verwachtte levertijd: Juli 2026
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- We offer a 30-day return/exchange service after receiving.
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Prob the best paper for sublimation
Size: 8.5x11inch
Been using this paper for a few years now. Colors always seem to pop and look correct
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Reviewed in the United States on January 1, 2026
★★★★★ 5
Good paper
Size: 8.5"X11"
Good paper for sublimation. Holds the color and paper doesn't wrinkle from the ink
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Reviewed in the United States on May 9, 2026
★★★★★ 5
Great stuff!
Size: 8.5"X11"
I’ve been using this paper for about 5 years and love it. Colors are brilliant, subs great!
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Reviewed in the United States on May 20, 2026
★★★★★ 5
My Designs? Sublime. The Paper? Sublimation Perfection.
Size: 8.5"X11"
Prints clear, presses clean, and never lets me down—unless I’m the problem (which is often). I keep this stocked like toilet paper. You don’t want to run out mid-project.
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Reviewed in the United States on August 8, 2025
★★★★★ 5
Great Quality
Size: 8.5"X11"
This A-SUB sublimation paper is a great quality. I have been using it for many years and have had absolutely no issues. I use it with an Epson 2780 inkjet printer. I have never had a jamming issue or smudging.
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Reviewed in the United States on April 11, 2026