SKU: 45506145327

Wandtegel Florim Ella Handvorm Grijs Glans 5x25

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Description

Wandtegel Florim Ella Handvorm Grijs Glans 5x25Breng karakter en diepte in uw interieur met de Florim Ella Handvorm Grijs Glans 5x25. Deze keramische wandtegel combineert de robuuste uitstraling van een grijstint met de ambachtelijke charme van een handgevormde tegel, wat resulteert in een wand die zowel stoer als verfijnd oogt. Type: Hoogwaardige keramische wandtegel met een authentieke "handvorm" look Design: Ella collectie; gekenmerkt door een subtiele, golvende oppervlaktestructuur en

Breng karakter en diepte in uw interieur met de Florim Ella Handvorm Grijs Glans 5x25. Deze keramische wandtegel combineert de robuuste uitstraling van een grijstint met de ambachtelijke charme van een handgevormde tegel, wat resulteert in een wand die zowel stoer als verfijnd oogt.

  • Type: Hoogwaardige keramische wandtegel met een authentieke "handvorm" look

  • Design: Ella-collectie; gekenmerkt door een subtiele, golvende oppervlaktestructuur en charmante onregelmatigheden die elke tegel een unieke, levendige uitstraling geven

  • Kleur: Grijs (een medium grijstint die diepte en contrast toevoegt, perfect voor een modern of industrieel kleurconcept)

  • Formaat: 5x25 cm; een slank en modern "brick" formaat dat uitnodigt tot creatieve legpatronen zoals visgraat, een horizontaal versprongen verband of een strak verticaal patroon

  • Afwerking: Hoogglans; de glanzende toplaag versterkt de variaties in het oppervlak, waardoor er een dynamisch spel van licht en schaduw ontstaat

  • Toepassing: Bijzonder stijlvol als achterwand in de keuken, als eyecatcher in de douchecabine of als sfeervolle wandbekleding in de toiletruimte

  • Kwaliteit: Duurzaam en kleurvast keramiek; hittebestendig, vochtbestendig en vlekbestendig

  • Onderhoud: Zeer praktisch in gebruik; de gladde glanslaag is eenvoudig schoon te houden en blijft jarenlang mooi

De Florim Ella Handvorm Grijs 5x25 is de ideale keuze voor wie een wand wil creëren die niet alleen kleur, maar ook textuur toevoegt aan de ruimte. De grijze kleur geeft een moderne draai aan de klassieke handvorm-esthetiek, waardoor de tegel perfect past in eigentijdse interieurs waar natuurlijke imperfecties gewaardeerd worden. Het resultaat is een wand met een rijke, tastbare uitstraling die nooit verveelt.

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SKU: 45506145327

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4.1 ★★★★★
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D
Verified Purchase
Donna Menchinger
Chelsea, US
★★★★★ 5
Five Stars
Format: Paperback
Fun
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 9, 2017
M
Verified Purchase
MJ
Birmingham, US
★★★★★ 2
Bent
Format: Paperback
When the book came the cover was crumpled and bent so it was really hard to read
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 6, 2020
N
Verified Purchase
N. Durham
Lowell, US
★★★★★ 5
Quite possibly the best Punisher stories ever told
Format: Hardcover
It's no secret that Garth Ennis' long run on the Punisher (particularly the MAX titles) has been nothing short of superb if not visionary, and this handsome hardcover collection, featuring three seperate one-shots, further proves that point. From First to Last begins with the Tyger, a story in which a young Frank Castle embarks on his first night of vengeance as the Punisher. As he has some mob men in his sights, he recollects to a summer in Brooklyn when he was a young man, and a shocking event that only further shaped Frank's inevitable path to becoming the Punisher. This story is good, but it's not anything really great, though John Severin's art is quite good. Thankfully, everything gets better from this point on. The Cell finds Frank turning himself in and convicted of his many murders and taken to the bowels of Riker's Island. However, Frank has a reason he's here, and it involves five men who all share a secret and a link to Frank that you'll never see coming. This story alone makes this collection worth picking up, and the art by Lewis Larosa (who also worked on the first Punisher MAX TPB, In the Beginning) is gritty, bloody, and brilliant. The third and final story is the spectacular Punisher: The End, featuring art by the legendary Richard Corben, which more than makes it worth checking out alone. As part of Marvel's "The End" line, this one-shot is just that, as an elderly Frank Castle finds himself as one of the last men on Earth after a nuclear holocaust has turned the world to ash and dust. Of course, there are still those that are guilty, and need to be punished. The last two stories alone are some of the best Punisher stories ever written, period. If you missed out on the one-shots when they were first released, now is your chance to read some of the best mainstream comic gold to come along in a long time, and this collection only furthers the notion that is discussed on the book's inside flap: Ennis was born to write the Punisher.
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Reviewed in the United States on December 30, 2006
A
Verified Purchase
A.G.
Omaha, US
★★★★★ 5
Three really solid stories here.
Art is top notch. We get three really nice stories of pre-Punisher Frank, mid-Punisher Frank and the end of Punisher Frank. I look at this book a couple times a year and Garth Ennis really did a great job on the character. The art by Severin, LaRosa and Corben were all great and fitting for their stories. Good collection if you can find it. Highly recommend.
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Reviewed in the United States on January 22, 2026
T
Verified Purchase
The Critic
Los Angeles, US
★★★★★ 4
Vintage Castle
Garth Ennis renders one of his hectic stories with Frank Castle coming back to his origins. The first story deploys Frank's childhood and the unexpected consequences of it later on. I humbly believe the second part(The cell), is the best of this issue. It narrates the ultimate vengeance of Castle against those who took the lifes of his family, several years ago in the middle of a shooting at day light in Central Park. A mention must be done of the art in The Cell. The pencils of Lewis Larosa, the Inks & Finishes of Scott Koblish and Raúl Treviño's colors, leave nothing to desire and accomplish to portrait that classic look of Castle as a somewhat mature/old man still capable of hell when it comes to seek revenge for his family. The End, however, which puts Castle in a dystopian future of a post-nuclear bombing, fails to blend smoothly Garth Ennis' script with the caricaturesque art from Richard Corben and Lee Loughridge. There is a dissonance between this very old Frank Castle in an apocalyptic environment and the drawings that for some reason maintain a gap with previous artists. As a whole, From First to Last is totally worthy. Garth Ennis is back to team with Castle and that's all what counts. Cristián Gómez O.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 20, 2011

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