喬治的神奇魔藥(全球3億冊紀念版)(Roald Dahl)
SKU: 9747362605

喬治的神奇魔藥(全球3億冊紀念版)(Roald Dahl)

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喬治的神奇魔藥(全球3億冊紀念版)(Roald Dahl): : : J. K 68 Roald Dahl, 1916 1990 Quentin Blake 2005 CBE

作者: 羅德.達爾  |  繪者: 昆丁.布雷克  |  譯者: 劉清彥


記得用閃閃發光的眼睛,仔細觀察周遭的世界,
因為最大的祕密總是隱藏在最不可能的地方。
那些不相信魔法的人,永遠不會發現它。
──羅德.達爾

  英國讀者票選勝過J.K羅琳的當代文學大師
  全系列翻譯成68種語言在世界各地出版、獲獎無數

  喬治有個自私自利、十分陰險的外婆,她不但脾氣暴躁,而且總是趁著喬治的爸媽不在時,百般刁難他。於是喬治決定調配一種威力強大的藥,讓外婆吃點苦頭。他把家裡所有亂七八糟的東西——肥皂水、刮鬍膏、去頭皮劑、洗衣粉、狗用跳蚤粉、皮鞋油、辣醬油、機油、防凍劑、油漆……等和在一起,配製出一種神奇的魔藥,結果發生了許多不可思議的怪事。外婆吃了魔藥,愈長愈高,腦袋穿透了屋頂;豬、牛、羊、馬、雞等吃了魔藥,也全變成巨型的動物。在爸爸的要求下,喬治又配製了第二代、第三代、第四代魔藥,可是無論如何都無法再達到原來的效果。吃了這些魔藥,雞變成了長腿雞、長脖子雞、迷你雞,然而,貪心、固執的外婆看到新一代的魔藥,樂不可支,不顧家人勸阻而喝下五十倍的劑量,結果她逐漸變小,最後竟然消失不見了!
作者

羅德.達爾(Roald Dahl, 1916-1990)


  羅德.達爾有以下身分:間諜、王牌飛行員、巧克力歷史學家,以及魔藥發明家。他也是《巧克力冒險工廠》、《瑪蒂達》、《吹夢巨人》和其他更多精采故事的作者。

繪者

昆丁.布雷克(Quentin Blake)


  國際安徒生獎、英國第一屆兒童文學桂冠得主,2005 年更因對兒童文學的傑出貢獻,而獲頒司令勳章(CBE)。他擅長以線條勾勒人物,然後抹上淡淡水墨,風格獨特,和羅德.達爾長期合作,讓故事裡的人物頓時在讀者眼前活了起來。

譯者

劉清彥


  由於小姪子是羅德.達爾的忠實書迷,經他苦苦哀求,不得不扛下重譯經典的重責大任,希望舊雨新知都能享受新譯的版本。學的是新聞卻熱愛兒童文學,每天專心翻譯和創作童書,也經常到國內外為許多喜愛圖畫書的大人演講或上課。
 
 
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Klipsch R50 M next generation
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In spite of small size sound is very nice iam using it with a subwoofer and with my yamaha A4A AV receiver i like it iam hearing mostly heavy metal and the speakers have a nice punch and attack
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compact surrounds that blend well with the right setup
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I picked up the Klipsch R‑40M as part of a full 5.1 system built around the R‑50M fronts and the R‑50C center. My original plan was to use another pair of R‑50M speakers in the back, but they simply didn’t fit in the rear cabinet space I have. The R‑40M ended up being the only model that fit comfortably, so they became my surround channels. In terms of build quality, they feel solid and consistent with the rest of the Reference Next‑Gen line. The copper woofers and updated horn design give them the same visual identity as the larger models, which helps the whole system look cohesive. They’re compact enough to place in tighter spaces without compromising too much on performance. Sonically, the R‑40M does a respectable job as a surround speaker. Effects are clear, directional cues are easy to follow, and they integrate smoothly with the more powerful R‑50M fronts. That said, they are noticeably less powerful than the R‑50M, so you need to spend a little time balancing your levels. Once I bumped their channel trim a bit and adjusted the distance settings, the rear soundstage locked in nicely and felt much more even. They won’t deliver the same fullness or dynamic punch as the larger models, but for rear channels that’s usually not a deal breaker. What matters is clarity and consistency, and the R‑40M handles both well. Movies with active surround mixes feel immersive, and ambient effects wrap around the room without calling attention to the speakers themselves. If you’re building a system where space is limited in the back, the R‑40M is a practical and capable choice. Just be prepared to fine tune your calibration so they match the output of the bigger speakers up front. Once dialed in, they round out a 5.1 setup very effectively.
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These R50 Studio Monitors are worth every penny. One could easily spend a heck of a lot more to get less. Have been a pro audio engineer my entire life. These monitors kick out clean, solid bass and accurate highs. Klipsch did a excellent job designing these monitors. Perfect for smail spaces where fidelity is critical. If you wall mount these, make sure you leave at least a 1.5 inch air gap between the back of the monitor and the wall. These units are sweet.
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