the velut luna reference vol 1
SKU: 98715721625

the velut luna reference vol 1

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the velut luna reference vol 1The Velut Luna's Reference CD Vol. 1 (VLLP009) (CVLD393) Available in: Masterclone 24K GOLD CD and HD File Notes individually made one by one Only 50 copies available on Gold 24K CD! I 86 Going North 5: 42 (Fabio Ranghiero Lucia Minetti Lucia Minetti) Lucia Minetti & Fabio Ranghiero, Recorded at Magister Recording Area, Preganziol April 2022 Amarsi un po' 4: 13 (Battisti Mogol) Chiara Past & Enrico Santacatterina, Recorded at Parco Euganeo,

The Velut Luna's Reference CD Vol.1 (VLLP009) (CVLD393)

Available in: Masterclone 24K GOLD CD and HD File

Notes

individually made one by one - Only 50 copies available on Gold 24K CD!

  • I-86 Going North 5:42 (Fabio Ranghiero / Lucia Minetti - Lucia Minetti)

Lucia Minetti & Fabio Ranghiero, Recorded at Magister Recording Area, Preganziol April 2022

  • Amarsi un po' 4:13 (Battisti - Mogol)

Chiara Pastò & Enrico Santacatterina, Recorded at Parco Euganeo, Montegrotto Terme, August 2021

  • Find Me 4:06 (D. Nisi)

Baraonna, Recorded by Andy & Claudio Bartolucci at Delta-Top Studio, Roma, August 2019

  • Questa storia in testa 3:21 (P.Fanton - M. Strano)

Paola Casula & Marco Strano, Recorded at Magister Recording Area, Preganziol, April 2008

  • When You Wish Upon A Star 2:32 (Harline - Washington)

Rosella Caporale, Delio Caporale & Achille Succi, Recorded at Magister Recording Area, Preganziol, June 2006

  • Black Dog Blues 4:33 (traditional)

Nik Lee & The Jingle Fellas, Recorded at Magister Recording Area, Preganziol, April 2015

  • Funk Checking 3:31 (E. Santacatterina)

Enrico Santacatterina, Recorded by Enrico Santacatterina at E.S.P Studio, Mellaredo, October 2019

  • Ask The Trash Can 4:18 (G. Marzorati)

Guido Marzorati & The Blugos, Recorded by Andrea Valfrè at Magister Recording Area, Preganziol, April 2012

  • Just A Smile 4:13 (E. Santacatterina - C. Pastò)

Chiara Pastò, Recorded at Magister Recording Area, Preganziol, June 2020

  • A Salty Dog 3:45 (Procol Harum - Brooker - Reid)

Paola Casula, Recorded at Magister Recording Area, Preganziol, April 2008

  • Blues Elegante 5:05 (K. Dorham)

Lorenzo De Luca, Marcello Abate, Martino De Franceschi & Marco Soldà, Recorded at Magister Recording Area, Preganziol, January 2021

  • Caravan 7:13 (D. Ellington)

Royal Big Band, Benny Lamonica conductor, Recorded at Auditorium Comunale, Chiuppano, April 2003

  • Basin Street Blues 4:13 (S. Williams)

Tiger Dixie Band, Recorded at Auditorium Comunale, Chiuppano, October 2000

  • Libertango 3:33 (A. Piazzolla)

Simone Zanchini & Modern Saxophone Quartet, Recorded at Auditorium Comunale, Chiuppano, May 2000

  • Darth Vader Theme from Empire Strikes Back 2:10 (J. Williams, arr. F. Castania)

Raimondo Mazzon, Recorded at Auditorium Pollini, Padova, September 2019

  • Pas de deux from Nutcracker Suite 5:33 (P.I. Tchaikovsky)

Kostandin Tashko, Recorded at Studio Zanta, Camponogara, December 2020

  • Estate, Allegro non molto from "Le Quattro stagioni", Op. VIII, n.2 5:44 (A. Vivaldi)

Stravinsky Chamber Orchestra, Marco Tezza conductor, Daniele Ruzza, solo violin, Recorded at Chies di S. Francesco, Schio, May 1999

  • Sinfonia in sol min, KV183, Allegro con brio 6:40 (W.A. Mozart)

I Solisti dell'Olimpico, Giovanni Battista Rigon, conductor, Recorded at Teatro Olimpico, Vicenza, June 2004

Total Time: 1:20:19

 - - -

Producer: MARCO LINCETTO for VELUT LUNA

Sound engineer: Marco Lincetto (unless otherwise stated)

Graphic designer: L'Image

Cover photo: Paolo Vettore (1963)

- - -

The child in the cover image is me. At the age of two. It was 1963.

As far as I can remember, I have always loved listening to records. Certainly due to my family history, with my father who was a distinguished classical pianist and refined composer, and my mother an opera singer.

But certainly in those years of early childhood, the black "saucepans" that spun on the old family record player and from which my favorite fairy tales emerged, narrated by the great voices of great actors (I remember, for example, Nando Gazzolo and his Little Red Riding Hood, and Hansel and Grethel, and Tom Thumb, whose records I literally wore out...), held a great fascination for me.

Around eight or nine years old, the transition from fairy tales to The Beatles' 45s at the end of their career (Obladì, Obladà), or to the unusual and unknown sound of the Theremin used in Good Vibrations by the Beach Boys, was a completely natural progression.

And when, at 13, I gradually began to discover Santana, Pink Floyd, Genesis, etc. etc. etc., combined with reading Suono and Stereoplay, it was equally natural to become infatuated with images of the large reel-to-reel recorders of the time, suitable for the then rare home studios.

My first love, so dreamed of and never owned, was the Tascam 80-8, an eight-track on half-inch tape. And the dream microphones were Sennheiser, the MD441s and MD421s... But the real dream was to "build my own studio"... something that would remain, for a long time, just a dream.

When, at 19, I finally discovered the music of Jim Croce and understood that... "It-Can-Be-Done!" (cit.), that was the moment it became clear to me that sooner or later, I would do that job, I would "make records."

And the rest is history...

My culture, my tradition, my fundamental experiences, are ANALOGUE.

Even though, right from the start of my professional career in 1992, I was a champion of quality digital, I never abandoned analogue and, above all, I never abandoned the "analogue mindset."

So, this ninth vinyl I produced can only be, I hope, the first in a series of "collections" of the best of the many beautiful pieces of music I have produced over the last 30 years with my Velut Luna. And on the cover, you won't find the little word "Volume 1," just to avoid bad luck. But if this format is successful, others will follow.

In the meantime, enjoy listening to these authentic, ideal "children" of mine.

A heartfelt thank you to all the musicians who have contributed to making Velut Luna great in its first 30 years.

Marco Lincetto

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As a parent navigating the potty training journey, I can confidently say that Pull-Ups Boys' Skin Essentials Potty Training Pants have been a game changer for both my child and me. Here’s why I love them and what makes them an essential part of our potty training routine. Comfort and Fit: One of the standout features of these training pants is their soft and gentle fabric. The Skin Essentials line is designed to be hypoallergenic and includes ingredients like aloe to help soothe and protect my little one’s sensitive skin. The fit is great for my toddler, providing just the right amount of stretch and comfort, which is crucial during this transitional phase. My child can move freely, whether he’s playing, jumping, or running around. Absorbent and Reliable: The absorbency of these training pants is impressive. They hold up well during the day and help manage any accidents without causing a mess. I appreciate that they have a wetness indicator, which makes it easy to know when it's time for a change, helping to instill good habits as we continue potty training. Easy to Use: Pull-Ups are designed for independence, which is perfect for toddlers eager to take control of their potty training. They pull up and down like regular underwear, allowing my child to practice pulling them on and off, which builds confidence. Plus, the easy-open sides are a lifesaver for quick changes when we’re on the go. Fun Designs: Kids love fun and engaging designs, and these training pants deliver! The playful graphics featuring beloved characters make my son excited to wear them. This little touch has made a big difference in how he approaches potty training—he’s proud to wear them and feels like a “big boy.”
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mominaminivan
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★★★★★ 5
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Size: 3T-4T, Unit Count: 112
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