SKU: 54238556146

Abstracted Inverted Face - Davida Allen (Australian, b. 1949) | Contemporary Australian Art

Sale price$2025.00 Regular price$2250.00
Save 10%

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 13 - Jul 18

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Abstracted Inverted Face - Davida Allen (Australian, b. 1949) | Contemporary Australian ArtArtist: Davida Allen (Australian, b. 1949) Title: 'Abstracted Inverted Face' Origin: Australia Period: Contemporary (Late 20th 21st Century) Style: Contemporary Figurative Abstract Subject: Inverted Face Location: Artemisia Fine Arts & Antiques Ltd, Malta Abstracted Inverted Face Davida Allen A striking contemporary work titled 'Abstracted Inverted Face' by Australian artist Davida Allen (b. 1949), demonstrating her bold approach to figurative

🎨 Artist: Davida Allen (Australian, b. 1949)
📋 Title: 'Abstracted Inverted Face'
🇦🇺 Origin: Australia
📅 Period: Contemporary (Late 20th/21st Century)
🎭 Style: Contemporary Figurative/Abstract
👤 Subject: Inverted Face
📍 Location: Artemisia Fine Arts & Antiques Ltd, Malta

Abstracted Inverted Face - Davida Allen

A striking contemporary work titled 'Abstracted Inverted Face' by Australian artist Davida Allen (b. 1949), demonstrating her bold approach to figurative abstraction and psychological portraiture. This compelling piece challenges conventional representation through its inverted orientation and abstracted treatment, creating a work that is both visually arresting and conceptually engaging. ✨

The inversion of the face creates immediate visual disruption, forcing viewers to reconsider familiar forms and engage with the work in new ways.

Davida Allen - Contemporary Australian Artist

Davida Allen (born 1949) is a significant figure in contemporary Australian art, known for her distinctive approach to portraiture and figurative work. As a living artist with a career spanning over four decades, Allen has developed a mature and recognizable voice within Australian contemporary practice. Her work has been exhibited widely and collected by major Australian institutions. 🎨

Artists of Allen's generation came of age during the flourishing of Australian contemporary art in the 1970s-80s, developing practices that engaged with international contemporary discourse while maintaining distinctively Australian perspectives.

The Inverted Face - Disruption & Perception

The inverted face represents a powerful artistic strategy—turning familiar forms upside down to defamiliarize them, challenge automatic perception, and force fresh engagement with the subject. Inverted faces appear strange and unsettling, as our brains are highly specialized for recognizing upright faces. This disruption creates psychological tension and visual interest, making the ordinary extraordinary through simple reorientation. 👤

Artists have long used inversion as a tool for seeing anew, from Baselitz's upside-down figures to contemporary explorations of perception and representation.

Abstracted Portraiture

The combination of abstraction with portraiture creates fascinating tension between recognition and dissolution, representation and non-representation. Abstracted faces suggest human presence while refusing complete legibility, creating works that hover between figuration and abstraction. This approach allows artists to explore psychological and emotional dimensions of portraiture while maintaining formal freedom and expressive power. 💫

Contemporary Australian Art

Australian contemporary art has gained significant international recognition, with artists creating work that engages with global contemporary discourse while often maintaining connections to Australian landscape, light, and cultural identity. The Australian art scene has produced distinctive voices across painting, sculpture, installation, and new media, with strong institutional support and vibrant commercial galleries. 🇦🇺

Artistic Merit & Contemporary Vision

This work demonstrates Allen's confident handling of figurative abstraction, her willingness to challenge conventional representation, her understanding of how formal strategies create psychological effects, and her mature artistic vision developed over decades of practice. The piece rewards both immediate viewing—the visual impact of the inverted face—and extended contemplation of its conceptual dimensions. 💎

Collecting Living Australian Artists

Works by established living Australian artists like Davida Allen offer the satisfaction of supporting contemporary practice while acquiring pieces by artists with significant exhibition histories and institutional recognition. Allen's long career (born 1949) means decades of artistic development and accumulated experience, bringing maturity and confidence to her work.

Australian contemporary art has demonstrated strong market performance, particularly works by artists with established reputations and institutional validation. 🏛️

Psychological Portraiture

Allen's approach to the face goes beyond traditional portraiture to explore psychological and perceptual dimensions—how we see, recognize, and respond to human features. The abstraction and inversion create works that are as much about the act of seeing as about what is seen, engaging viewers in active interpretation rather than passive recognition.

Investment & Market

Works by established Australian contemporary artists with significant exhibition histories appeal to collectors of Australian art, contemporary portraiture, and those interested in psychological and conceptual approaches to figuration. Allen's work represents serious contemporary practice with institutional validation and market recognition.

Flexible payment plans are available to make collecting more accessible.

Display & Appreciation

Ideal for collectors of Australian contemporary art, abstracted portraiture, or works that challenge conventional representation. The piece brings bold contemporary vision into interior spaces, offering both visual impact and conceptual depth. The inverted orientation creates immediate visual interest and conversation, making it a compelling focal point. 🖼️

Particularly appealing to those who appreciate contemporary approaches to the human figure, psychological portraiture, or Australian art with international contemporary relevance.

A bold contemporary work by an established Australian artist, perfect for collectors of Australian art, abstracted portraiture, or those seeking works that challenge perception and engage with contemporary figurative practice.

Prices exclude VAT and international shipping.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 54238556146

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.5 ★★★★★
Based on 810 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
C
Verified Purchase
C. Tucker
Lexington, US
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience. Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.) The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.) In conclusion, this book might not be for everyone, but it was exactly what I needed.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 15, 2018
M
Verified Purchase
mrliteral
Pawtucket, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 16, 2006
A
Verified Purchase
Arthur E. Williams
Port Orchard, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2006
D
Verified Purchase
db
Carnegie, US
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 14, 2007
S
Verified Purchase
SteelBlue
Lowell, US
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 2, 2005

recommand products