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Daniele BuettiDaniele Buetti zhlt zu den wichtigsten Knstlern der letzten Jahre, die sich mit Lifestyle und Medien Codes befassen. Einem breiten Publikum bekannt geworden ist der 1956 geborene Schweizer durch seine Bearbeitung von Modeanzeigen, durch die Umformulierung des schnen Scheins, den Supermodels wie Claudia und Naomi, Giselle und Kate verkrpern: Never enough of you schrieb er den Krpern mit krakelig martialischer Typografie auf den Leib und erfand damit
Daniele Buetti zählt zu den wichtigsten Künstlern der letzten Jahre, die sich mit Lifestyle- und Medien-Codes befassen. Einem breiten Publikum bekannt geworden ist der 1956 geborene Schweizer durch seine Bearbeitung von Modeanzeigen, durch die Umformulierung des schönen Scheins, den Supermodels wie Claudia und Naomi, Giselle und Kate verkörpern: »Never enough of you« schrieb er den Körpern mit krakelig-martialischer Typografie auf den Leib und erfand damit eine künstlerische Form, welche die phantasmatische Wirkung der Massenkommunikation präzise auf den Punkt brachte. Oder er verklärte die Models zur »Nike«, ließ sie die Markenzeichen jener Produkte als geschwulstartige Kennungen auf der Haut spüren, für die sie Werbung machten. Wegen solch eindringlicher Sujets wurde Buetti auch als »neuer König des Pop« bezeichnet - eine Deutung, die zu kurz greift. Denn Buetti hat in den letzten zehn Jahren ein umfassendes Werk vorgelegt, das die Thematik unserer Waren- und Konsumgesellschaft in einem viel größeren Kontext diskutiert. Die vorliegende Publikation zeigt erstmals die performativen Ursprünge, versammelt die wichtigsten Installationen, Fotowände, Leuchtkästen und Videos und geht den Spuren von Buettis »Flügelkreuz«, seinem eigenen Markenzeichen aus den späten achtziger Jahren, nach. Ausstellungen: Kunstverein Freiburg 14.2.-30.3.2003 · Helmhaus, Zürich 19.9.-16.11.2003 · FRAC PACA, Marseille 2004Daniele Buetti (*1956 in Fribourg) lebt und arbeitet in Zürich.Seit 2004 Professur an der Kunstakademie Münster.
Daniele Buetti (*1956 in Fribourg) lebt und arbeitet in Zürich.
Seit 2004 Professur an der Kunstakademie Münster.
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4.1 ★★★★★
Based on 1478 reviews
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Product Reviews
★★★★★ 1
Lies
Update! They are cracking and falling apart already with barely being used and careful care. Complete waste of money.
Original review: These are horrible, as far as the smell and not being properly sanded. They aren't pre-oiled like they claimed either. Not worth what you pay for them.
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Reviewed in the United States on October 31, 2025
★★★★★ 5
Sturdy cutting boards!
These cutting boards work great and are sturdy. They lose color quickly but re oiling them will help that. Good product.
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Reviewed in the United States on December 11, 2025
★★★★★ 3
Great quality for the Price
Surprisingly decent for the price! The wood is actually pretty and high quality, but the manufacturing isn't great. The set a received is quite rough and my wife continues to think she will get a splinter. They also are oiled but they are quite dry still and also smell heavily of the mineral oil they use.
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Reviewed in the United States on September 9, 2025
★★★★★ 2
Beautiful but terrible quality.
While I absolutely loved the idea of cutting boards with a stand, these were not the right choice. The wood is exceptionally soft and after the first use the gouges from my knife were pretty deep. After I washed the cutting board from cutting veggies, it started to splinter. Maybe I just got a defective set but I definitely do not recommend this set. Will be returning and getting a different brand/board.
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Reviewed in the United States on September 27, 2025
★★★★★ 4
A unique treatise
Format: Paperback
I've read part way through this book at this point, reading it together with a friend. It provides plenty material for discussion. It seems to me to be aimed at a seminary audience, as there are some theological and Greek grammatical terms used, but not fully explained. It's not quick reading, but it makes up for that in the unique content.
The content is to take a dozen key passages whose interpretation has varied over the last couple thousand years, and show exactly how these interpretations have varied. The title of the book, "...in Full Circle" refers to the idea that some contemporary interpretations have more in common with the most ancient church fathers than they do with their immediate predecessors over the last four or five hundred years.
All in all, it's a fascinating way of looking at scripture - through the eyes of influential authors over the course of almost twenty centuries.
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Reviewed in the United States on September 4, 2006